Tag: fiction

New Story: “A Black Spot Among the Chaos” in Beneath Ceaseless Skies!

On By A. T. GreenblattIn General RamblingsLeave a comment

I’m excited to share that a new story is now online and free to read. It’s called “A Black Spot Among the Chaos” and it’s part of Beneath Ceaseless Skies’ science fantasy issue.

For those who don’t know, BCS is a fantasy magazine that specializes in stories set in imagined worlds (what’s often called secondary world fantasy). But every two years, they put out a special double issue of stories that blend science fiction, fantasy, and that other worldliness. Back in 2022, they published my story “A Record of Our Meeting with the Grand Faerie Lord of Vast Space and Its Great Mysteries, Revised” which was a huge experiment in voice and complexity.

This time around, I took some of the core set pieces of “A Record of Our Meeting” – space ships, spirits/faeries, and jumbled, chaotic places and challenged myself to write a story where everything in that world went sour, including the characters. It was also my first time attempting an omniscient-like point of view, which was quite a learning curve for me. It took a couple of drafts to get this story right.

My writing soundtrack through the drafts was Eluvium’s Phantasia Telephonics, which always felt a little too hopeful for the story’s mood, but whatever, it worked. The process of creating a story on a blank page is still a mystery to me, even after all these years.

As always, if you like this story and want to support myself and other writers, please consider subscribing or sending a few dollars to Beneath Ceaseless Skies.

My short story recommendation also comes from this issue: “Doctor Souvenir” by Elly Bangs.

Hope you enjoy!

New Class Available at the Rambo Academy for Wayward Writers!

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This is the first of two posts coming this weekend. Also, the first of a series of posts about writing related news over the next few weeks.

I’m excited to share that I’ll be teaching a new class on Oct 14th, 2023 called “Hitting the Road: How to Send Your Characters on a Road Trip.” It will be about 2 hours long and will be held online. There will also be a recorded version available if the timing doesn’t work for you. There’s also scholarships for students.

This is a completely new class for me and while I’ve taught a few classes for Clarion West Online and this summer at the Alpha Writing Workshop for Teens, this will be my first time teaching at The Rambo Academy for Wayward Writers. I love journey stories (if you couldn’t tell from my work) and if you do too, I hope you consider signing up for the class!

New Essay Up at Fantasy Magazine

On By A. T. GreenblattIn Publishing UpdatesLeave a comment

I wanted to put a quick post up today that I have a new essay online at Fantasy Magazine. It’s called “More Than A Journey” and it’s about storytelling that’s shaped by more than one character. I’m thrilled to have a piece in this magazine. I’ve adored Fantasy Magazine’s fiction and essays and I’m heartbroken that they are closing shop in October.

If you read or care about SFF short fiction, please subscribe to some magazines so that this doesn’t happen to others venues. Here’s a list of some you can support.

One last note, I made a mistake on my last post. I’ll be reading at Story Hour tomorrow, August 30th at 7pm PST, NOT Thursday.

Correction: Reading at Story Hour on 8/30!

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Update: Reading is on Wednesday, 8/30 NOT Thursday 8/31

I hope this blog post finds you well and that these summer months (in the northern hemisphere, at least) has been kind to. you.

It has been an incredible busy season for me. I’ve been working on several writing projects such as a story for this anthology and an essay that is going to be posted online at Fantasy Magazine later this week. I also attended Readercon in July and Fourth Street Fantasy in June. And this year, I was lucky enough to be asked to be a staffer at the Alpha Workshop for Young Writers.

So, yes, I’m both surprised it’s the end of August and also not.

But before the month closes out, I do have one more event. I’ll be doing a live reading this coming Wednesday, August 30th at 7 pm PST for Story Hour! I’ll be reading alongside Jean-Paul Garnier and we will each be sharing a short story. This event will be livestreamed for free over on Zoom and Facebook Live.

Hope you can make it!

The Speculative Fiction Ecosystem

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I’ve talked about this before, in person and on this blog, and I’m absolutely not the first person to say this, but short fiction is incredibly important to the health of the speculative fiction industry. It is where writers get to explore, experiment, and often get their first publication credits. Which in turn makes them more confident about joining and engaging with the community. Essentially short fiction has been the germination place for many of our favorite writers’ careers. Short stories are also available to readers all around the world because most SFF magazines are free to read online, reaching an audience who might not have access to books. It’s where the conversation in genre is happening in real time, because short fiction is published within months, not years, as it for novels. As Kij Johnson once said “the science fiction and fantasy genre is always in conversation with itself.”

Except, even in the best of times, most magazines barely have enough funds to keep running. According to Neil Clarke of Clarkesworld Magazine less than 10% of readers subscribe to most online magazines. Scott Andrews of Beneath Ceaseless Skies says “Percentage of BCS readers in 2022 who supported the zine financially (subscribers & donors & Patreon supporters) was 0.7%. 99.3% did not. (For anyone who’d like to support us, we would be grateful! Here’s the BCS Patreon that only 0.7% of readers support the magazine.”

These are not the best of times.

A few months ago, Amazon announced that it will be ending it’s Kindle Newsstand Service, and switching to a Spotify-like model of payment. Meaning that publishers will only get a fraction of the income they were once making through the service. Jason Sanford has an excellent and full write up about it here. This doesn’t include the slow, but steady collapse of Twitter, which is how many magazines, writers, and readers talked about and boosted stories they love. Or the influx of AI written stories, which has bogged down editors.

I have been writing short speculative fiction for over ten years now, and have seen several ups and downs in the industry, but this time I’m worried that many beloved venues might close, leaving holes in the industry that will be difficult to fill.

Short fiction is a major component in the foundation of science fiction and fantasy fiction ecosystem and one that desperately needs any support we can give it. So, if you’re able, please consider supporting one or more of these magazines. Listed in no particular order:

Again, if you like my work, please consider buying a subscription or donating a few dollars to one of these publications. Most of them have published my work at some point. More importantly, they have published the work of hundreds of other writers as well.

My short fiction recommendation for the week is Crown Prince by Melissa Mead over at Cast of Wonders. Mead was a prolific short story writer, who like me, had cerebral palsy too. She died far too young in February 2022 and this story has been published posthumously with permission from her family.

Of City Windows and Anthologies

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I’m writing this tonight from my desk in my living room/office while eating dinner. It’s been that sort of weekend. Not bad, but gone too quickly. My desk sits in front of a window and from it I can see the people in the apartments across the street, in their kitchens or dining room or hybrid spaces like mine. I know they can see me too.

Do neighbors in NYC wave to each other? Or do we politely pretend we don’t have windows into each other’s lives?

I was going to talk about my writing this week, but honestly, works-in-progress are not very interesting to talk about because it’s usually the same update week after week: Still writing and still revising. So I’ll just say that one delightful surprise was getting the Long List Anthology, Volume 8 in the mail! This has my story “Questions Asked in the Belly of the World” as well as many other amazing pieces published in 2021. As a reader, I alway really enjoyed this anthology series.

Long List Anthology Volume 8 Cover on a black background

My short fiction recommendation this week is “We Built This City” by Marie Vibbert over at Clarkesworld Magazine

Until next weekend, stay safe and healthy!

Long Weekends Should Be Standardized

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Seriously, having a four day weekend has been so nice. I managed to spend part of the long weekend with my family, eating tons of home cooked food and playing with my dog. Hope those of you in the States have enjoyed it as well.

Not much to report on the home front this week. I continue to make headway on short story edits, essays, and new story drafts. Although progress is slower than I would like it to be. (It always is.)

This week, I finished reading the short story collection Vampires in the Lemon Grove by Karen Russell. I found her storytelling craft exceptional, even though not all of the stories resonated with me. One of the things I liked most about it was how varied and unique each story was in terms of topics, settings, and breath. Each piece had a mix of darkness and humor, though the ratios varied from story to story.

I also saw the animated movie Porco Rosso by Hayao Miyazaki. It came out in 1992, but I never seen it before and there was a matinee over the weekend at one of the dine-in theaters in Brooklyn. So with coffee and truffle popcorn, I watched this strange, beautiful film and was once again fascinated by Miyazaki’s dreamlike way of storytelling. I learned recently that he doesn’t use a script when creating movies. Instead he creates a storyboard and he doesn’t know how the movie is going to end until he draws it.

Which, as someone who has to literally write things down to give them shape and meaning, I find that mind blowing.

Anyway, I’ll leave you with this: If you’re looking for a SFF short story to check out this week, try Slow Communication by Dominique Dickey

Year End Eligibility Post 2022 and Where Else to Find Me

On By A. T. GreenblattIn General Ramblings, Publishing Updates1 Comment

It’s that time of year again and I’m not talking about the holidays, though I’m excited for American Thanksgiving next week. (Four day weekend and homemade cranberry sauce!) Award season for the science fiction, fantasy, and horror community has begun, and it’s good practice to post a year end round up of your work and where to find it.

Also, since Twitter seems on the verge of collapse, I thought I’d mention that you can find me on Mastodon at @atgreenblatt@wandering.shop.

Also, I’m hoping to post on this blog weekly.

Okay, onto the stories. It’s been a bit of a rocky year for me in terms of writing, but three stories of mine were published and in some excellent venues.

A Record of Our Meeting with the Grand Faerie Lord of Vast Space and Its Great Mysteries, Revised

Published March 2022 in Beneath Ceaseless Skies. 7,600 words (novelette)

“It should be noted here, at the beginning of the record, that the decision to invite such an esteemed and unknowable entity was not made lightly nor without a great deal of heated debate among the crew. [Addition: Upon reflection, Pilot Uma and Navigator Wilson conducted most of the debate and, ultimately, made the decision. The events that followed could have perhaps been avoided had they sought wider counsel.] However, it was agreed by all that the potential results were worth the risk. The crew was eager to

Cover art. Astronaut like explorers in foreground, giants in the distance
Ancient Ones by Jose Borges

If We Make It Through This Alive

Published January 2022 in Slate Magazine. 7,000 words (short story)

“The open road is just potholes and misery, but Sabrina loves it anyway. Not that she has anything against the national train system, trains are great. But it’s the challenge, the potential to rebuild everything, that has her doing final checks on Gran’s old Jeep at the starting line of the Great American Road Race.

Not that Gran would’ve recognized her beloved car.”

Cover art. Tricked out Jeep with solar panels
Photo illustration by Natalie Matthews-Ramo/Slate. Photos by Ruben Hanssen/Unsplash, Ravi Sharma/Unsplash, Brandon Green/Unsplash

The Music of a New Path

Published June 2022 in the Bridge to Elsewhere Anthology. 4,000 words (short story)

“Tessa rubbed her face. Click, click went her teeth, but now, her only accompaniment was the ship’s deep hum. The junkyard man had warned her she was on borrowed time with The Castaway when she’d bought it, but there was something, something that Tessa couldn’t quite name, that whispered, Don’t give up on the ship. Not yet“

Cover of Bridge to Elseware

That’s it! What have you read this year that you’ve loved? Have you published something that you’re proud of? Please feel free to leave a comment!

Where I’ll be at Chicon 8 (Virtually)

On By A. T. GreenblattIn Convention SightingsLeave a comment

Sadly, I won’t be able to make it in person to Worldcon this year. I have an important family event the next weekend and decided to try to avoid big social gatherings beforehand. I’m sad that I won’t be able to see friends and meet new people in person, but I am hoping to make it to World Fantasy Con in November.

However, I will be doing some online programming, including a virtual table talk, and would love to see people virtually. Here’s my schedule:

Virtual Table Talk – Friday, September 2 at 4:00pm CDT

Where: Airmeet Table Talk

Who: A. T. Greenblatt

Blending, Blurring, Evaporating Genres – Saturday, September 3 at 10:00am CDT

Where: Airmeet 4

Who: A. T. Greenblatt, Cassandra Rose Clarke (moderator), Julia Meitov Hersey, L. Marie Wood, Sherwood Smith

Description: Dragons in space? Magic robots? Speculative fiction has always refused to be confined between strict boundaries, and genre mashups and crossovers are now a common feature. How have our expectations for each genre changed over the years? How will they continue to change when “shelf space on a bookstore” is no longer a main concern?


One Hero to Save Them All – Saturday, September 3 at 2:30pm CDT

Where: Airmeet 3

Who: A. T. Greenblatt, Auston Habershaw, C.L. ClarkColin Alexander, John Appel (moderator), PJ Manney

Description: Many stories set in dystopias or featuring a revolution focus the narrative on a single, solitary hero. But is this realistic? Is it fair, either to the hero who must do all the work or to the secondary characters? Is it fair to readers, looking to effect changes in their own societies, to read about competent characters who can do it all? Come join the panelists as they explore and question examples of solitary heroes.

Hope to see you virtually this weekend!

4th Street Fantasy 2022

On By A. T. GreenblattIn Convention SightingsLeave a comment

I totally forgot to write this post and the conference is starting tomorrow. And, if all the flying goes smoothly, I will be in Minneapolis tonight. Also, I’m going to be on some panels. Additionally, I’m very excited to see people again in person and might not have finished my cup of coffee this morning yet, hence stream of consciousness-like wording of this post.

Anyway, here’s my schedule for 4th Street Fantasy:

Designing Worlds for Everyone – 4:00 PM Friday

Stella Evans (M), Avani Gadani, A.T. Greenblatt, Benjamin C. Kinney, Michael Merriam.

From airport scanners with only two body type defaults to facial recognition systems that can’t recognize BIPOC, unconscious—or conscious—design decisions from our world that treat people unequally seep into our fantasy worlds. Authors create fantastic worlds full of stairs wheelchair users can’t access or magic systems designed to erase disabilities. But there also exist magic writing systems that dyslexic users excel at and blind earthbenders who don’t have to overcome their disabilities in order to thrive. What are broad principles or specific ways of approaching world-building to include as many people in the fantasy as possible? 

Ambiguous Narrative Stances – 11:30 AM Sunday

A.T. Greenblatt, Marissa Lingen, Jenn Lyons, Aja McCullough (M), Abra Staffin-Wiebe. 

What kind of ambiguity serves a story, in endings and in narrative support? Raising complicated questions with no easy answers is all well and good; avoiding dealing with what they mean entirely is an abnegation of responsibility. We can’t control reader interpretations, and there can be power in letting readers fill in for themselves what goes, but when is failing to take an explicit stance a disservice to the reader, and how explicit is it important to be? Where is the line between an ambiguous ending that fails the reader by failing to take a stance, or that serves the reader in forcing them to think through implications to their logical conclusion and intentionally decide on their own reading? 

As I said, very excited for this and if you’re there, please feel free to come say hello.